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Touring in Canterbury

On Thursday, I had a rare opportunity to be a tourist for a few hours in Canterbury.

St. Martin's Church
It was my second visit to Bertha's church, and the same volunteer was on duty. We caught up: no, I wasn't eligible for a keycard to the grounds of St. Augustine's since I'm not a resident; I still hadn't followed up on the multiple Ebbsfleet pondering. She introduced me to a fragment of text on an outside wall and said that no one had been able to tell her what it said. It was Latin, medieval I'd bet, and not that unclear. I'll post a photo some other day. The sunlight was much improved over the previous month so I took more photos: of the stained glass windows with all the women proselytizers of Christianity, and the fabulous font they have, commemorated in several other windows. The earliest building, from which this was made, was indeed Roman, but no one knows what kind of a building it was. It may not have been religious at all.

The Roman Museum
Down in the basement, the museum looked more dated than it was. Then again, I suppose 1990 was two decades ago now. The recreation archeologist and scholar of antiquity were slightly creepy, even if really is useful to model how scholars work. The highlight was the in situ remains of the Roman villa around which this modest and under-populated museum was build: large expanses of now-undulating mosaic floor and the remains of a hypocaust. Lovely objects are clearly illuminated from above in glass cases, the downside of the which is that the thick layer of dust on top of each case is also well-illuminated. I loved the urn decorated with a blacksmith's tools and the beautifully-precise carpenter's square.

One standalone case looked as settled in as the others, but, based on signage, is clearly recent. It's the museum's contribution to the BBC/British Museum collaboration, A History of the World in 100 Objects*. The Samian-ware bowls, small, standard sizes, terracotta, and strong, was an exotic important to Roman England. A few ships' worth went down around two thousand years ago. In recent centuries, the bowls sometimes come up with the fish in fishing nets. Thus many fishing families have ended up with these small, intact bowls, perfectly functional dishes. They became used as bakeware for Lenten cakes, and thus are now known as "pudding pots". As locals familiar moved to the colonies and ex-colonies across the world, they took their pudding pots with them. And so, drowned Samian-ware is in use today worldwide in the celebration of Lent. The 100 Objects episode of them hasn't aired yet; later this year somewhen.

Canterbury: England's Crucible

This is a temporary exhibition, on until late March, of Canterbury's medieval and Elizabethan history. It's structured around the blown-up copies of the pages of a new cartoon history of the city. These are accompanied by short essays and illustrative display cases of relevant artifacts. After the darkness of the Roman Museum, the skylight-brightened white-walled room was a relief. The display format was a good novelty, catering to a variety of tastes. The cases of artifacts blocked off the cartoon pages, making it awkward to fit in behind them to read. For Marlowe, they chose modern Elizabethan replica costumes to make their effect more vivid. My favorite case, however, was the medieval skeleton, with descriptions of its distinctions and what we know about the man's life from his remains. Perhaps I liked it so much only because I'd been looking at objects for hours, and, amongst those, this was a novelty. Revamping existing museum displays is expensive, but the City Museum could benefit from some of the remains of this display.

* I listened to the first few episodes, available via podcast as well as on air, and, after warming up, they really are quite good. I was wondering: can those of you in America and Canada hear them too? I can't test the site from outside the country conveniently and would like to know.

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Comments

( 13 comments — Leave a comment )
drasecretcampus
Mar. 7th, 2010 10:46 am (UTC)
One could argue that one works within the old city of Canterbury, so you could get a cathedral precincts pass.

AHOTWIOHO: I suspect it would get tedious rather quickly, but I worried that it was not until the Elgin Marbles that any acknowledgement of the British imperialism behind the collection of the BM was made. I know there are arguments on both sides, and I think needed more on this (such as the preservation as well as the appropriation)
owlfish
Mar. 7th, 2010 06:12 pm (UTC)
I am happy to tell you that I have been making good use of my cathedral precincts pass for most of the last year!

There's a light reference to the colonial origins of much of the collection in the first episode too. I was assuming it would be come more and more of an issue later on in the series.
the_lady_lily
Mar. 7th, 2010 12:25 pm (UTC)
I can indeed hear the History of the World episodes - we have perfect access to radio programs via the iPlayer, but not any television programs.
owlfish
Mar. 7th, 2010 06:13 pm (UTC)
Wonderful! Then I can recommend them to students.
strange_complex
Mar. 7th, 2010 06:08 pm (UTC)
Wow, that's fascinating about the Samian bowls. I'm involved with a project about them based at Leeds, and heard various papers last summer about some of the strange ways they ended up being used in antiquity - mainly things like particular designs being popular as grave-goods because of their religious or afterlife-related symbolism. But I had no idea that some were used today in the way you describe.
owlfish
Mar. 7th, 2010 06:15 pm (UTC)
I am delighted to have so much better a sense of the kind of pottery you're working with! I had nothing to visualize other than pot shards generically before.

I really did love the bowls and their story, especially the idea of such old pottery still in active use.
lil_shepherd
Mar. 9th, 2010 04:55 pm (UTC)
Off topic, but because you ask for a comment if added to an flist.

Saw the picture fjm posted, popped over to see who you were, and your LJ looked interesting, so added you.

I'm interested in history, and love reading expert's ljs and blogs, though I'm not an academic or a historian. Hence my presence. Not sure you'll notice me though.
owlfish
Mar. 9th, 2010 05:15 pm (UTC)
Hello! Thank you for the note. It really does satisfy my curiosity to know how people end up here.

Your username is familiar and - looking at your profile - no wonder, given the number of people we have in common. I live just across the Roding from you, townwise, I see. Always good to meet people in the neighborhood!
lil_shepherd
Mar. 9th, 2010 05:25 pm (UTC)
Gosh. We must exchange drinks (or nods) at Eastercon!
owlfish
Mar. 9th, 2010 05:18 pm (UTC)
Further browsing: I see you already had a picture with me in it from F&E's 2005 party!
lil_shepherd
Mar. 9th, 2010 05:27 pm (UTC)
I knew you from the picture Farah posted but couldn't remember if we'd ever conversed over the years. I'm sure we must have!

Where across the Roding do you live?
owlfish
Mar. 9th, 2010 07:21 pm (UTC)
I'll message you about it.
lil_shepherd
Mar. 9th, 2010 05:31 pm (UTC)
Incidentally, I am already embarrassed by those pictures, as the first one I looked at had carl_allery in it, and I could have sworn we hadn't met before last year's Milford.
( 13 comments — Leave a comment )