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Temperance at hand

The new iconography of the virtues developed in the mid-fifteenth century in France, and pretty well died out within a hundred years. The iconographic scheme shows the seven cardinal and theological virtues laden down with way too many attributes. My PhD dissertation was structured around an analysis of Temperance's iconography within this scheme.

The mid-sixteenth century engravings after Brueghel's design of the new iconography was the last gasp of this scheme, and the one best known to art historians, print collectors, and curators. The images shown the new iconography made marginally more feasible by abstracting the odd items the virtue personifications stand on. Instead of Temperance balancing precariously on the top of a windmill, just the sails lie on the floor near her, her own feet planted firmly on the ground.

On Thursday, I held an impression of the print in my hands, looked at it closely for the first time. There were so many details I'd never noticed: actors and cannons as exemplars of temperance; the varieties of counting schemes used by the accountants in the lower left-hand corner; the odd devices in the upper-right hand corner whose purposes I do not immediately recognize.

The print dealer had three of the seven virtues on hand. Temperance was slightly damaged in the corner, although otherwise a very good impression. The damage meant that the print wasn't worth quite as much as Faith and Hope. It "only" cost UKP 9500.

Comments

( 5 comments — Leave a comment )
fjm
Mar. 27th, 2006 12:02 pm (UTC)
Are these images available on the internet?
sioneva
Mar. 27th, 2006 12:05 pm (UTC)
Pshaw, pocket change!

Although not for me nor anybody I know ;)

It's amazing how different it is to see an original print versus the reproduction - I've always been grateful for having been able to work in the Smith Print Room. I just wish I had the money to splash out on buying prints for myself!
owlfish
Mar. 27th, 2006 12:32 pm (UTC)
My parents started collecting prints when they were at university because they could afford them. My mother's memory is of print dealers coming around to universities and communities and selling their wares. It probably cost more than posters do at poster fairs these days, but not by enough more than university students weren't a feasible market.

How times change...
sioneva
Mar. 27th, 2006 12:34 pm (UTC)
Alas, yes.

I wonder if posters will be a valuable commodity in twenty years? Methinks not...
( 5 comments — Leave a comment )