S. Worthen (owlfish) wrote,
S. Worthen

Bodleian Tunnels

Thanks to the organizational and connective powers of the regional Smith Club, C. and I headed off to Oxford yesterday for a bit of library tourism. The head of Oxford's libraries is a graduate, so we started in Convocation Hall, with its lovely fan vaulting, with her life history and current goals for the system; it was fascinating. Then we were off, sub-divided into four smaller groups, for a tour of the library complex, beginning with the Divinity School's multifaceted developments (Roundheads, Christopher Wren, Harry Potter) and continuing upstairs in Duke Humphrey's Library (chained books, window light, lovely sense of space, good incentive to go work on manuscripts there sometime). We walked over to see the layers of the Radcliffe Camera (all much smaller than I'd imagined it), including the space below which used to be a covered town market.

Then, we went down into the tunnels. The library system is still using paper and vacuum tubes to send reader requests, and a coveyer belt system to send the books back up to readers. All the infrastructure for this defines most of the tunnels, the caged-in conveyor belt, the tubes dipping in and out of walls, long, sloping corridors leading under courtyards and the road. Below too is a history in compact shelving, from Gladstone's sturdy designed to German ones to more familiar modern iterations on how to store too many books in not enough space. I really liked exploring the tunnels!

We came back up to light in the new Bodley library, and a room full of collection items that had been pulled for us. The recently-acquired manuscript of Frankenstein, about thirty pages of it, but as complete as copy as survives. Jane Austen's notebook, Volume the First, book-like and formal and full of enthusiasm and neatly-spaced lines. Margot Asquith's diary, and personal photos from her papers, casual family photos of people whose lives were very public. Diaries and letters from Dame Margaret Joan Anstee, UN special representative to Angola, and a letter from Flora Shaw, journalist, from her time in Nigeria. (Indeed, she apparently coined the name 'Nigeria'!) Excerpts from Phoebe Somer's gorgeous drawing books, lovely, beautifully-observed watercolors of everyday life moments in Kenya and Tanzania. Letters from Dorothy Crowfoot Hodgkin, Nobel Prize winner for her work in chemistry.

Wonderful as all these were, what caught me were the medieval works. St. Margaret's Gospels is a lovely, elegantly-illuminated book in a tidy, clear hand which seems likely to have belonged to Queen Margaret of Scotland, based on the miracle which happened to it and which is recorded at the volume's beginning. It was dropped into water, and was rescued, dry and unharmed. There was also a to-scale reproduction of the Goff map, a map I have often seen in reproduction and excerpt, but have never had the luxury of exploring it in such detail. It shows Britain, full of labeled cities, with the roads linking them and mileage. It's a great deal of fun to explore, both for its characterization of particular towns, and for the geometric abstraction of all its rivers. None of the handlers really knew more about it than its name, so I could be useful.

Afterward, we went off for lunch at St. Edmund's Hall, and then austengirl, C. and I meandered along the Isis's branch which runs along Christchurch Meadow. We also explored the covered market. How have I never been there before? Timing worked out such that C. and I also stopped by Borders to catch the Write Fantastic talk about reading and writing science fiction as part of the Fringe Festival. A quick dinner, and then home.
Tags: library tourism

  • One more Eurovision song

    I finally bought the album for this year's Eurovision. I listened to it on random today while sorting papers. Much to my surprise, a song came on…

  • Eurovision Entries 2017

    This year's Eurovision song contest features a ridiculously large number of videos with very gloomy visuals, some justified, some not. Over half were…

  • The start of goodbye

    I wrote this for a four-year-old, trying to minimize the amount of challenging vocabulary incorporated. Perhaps someone else out there would like…

  • Post a new comment


    default userpic

    Your IP address will be recorded 

    When you submit the form an invisible reCAPTCHA check will be performed.
    You must follow the Privacy Policy and Google Terms of use.